I learned this side first — booms, boards, patch bays, show rings. Nine years on, that means festival films, live network broadcasts, podcast rooms, and a channel I write, shoot and cut myself.
FILM
AGBO — “Happy Day” — sound design and final mix. First of 700 entries at No Sleep ‘til Film Fest, reviewed by the Russo brothers. ▶ [VIDEO: paste link]
Framework Visuals — location boom and mixing
AFI — location boom and mixing
King SoundWorks — post: dialogue assembly and FX
BROADCAST
Tennis Channel — A1, full broadcast audio, 2019
World Dance & Cheer Championships — audio, 2019
UCF / ESPN / ABC — parabolic mic, home football broadcasts, 2018
Big 12, ACC, Pac-12 — post-production on season video edits, 2020
XOS Digital — video editor and ingest, 2019
ESPN / Lasser Productions — camera logging, 2019
PODCAST & LIVE
Paul Pierce, The Truth Lounge — audio, every episode, 2025 ▶ [VIDEO: paste link]
Grow Church — production and media coordinator. Directed services, built the crew, set the AV budget. Around 70,000 attendee-services over six months.
SeaWorld Orlando show ring — four runs, roughly 5,000 per show
Planar Systems — installation technician and project lead, 68 AV sites
Ben Mallare Events, FCC, Show Systems — A1 and A2, live
DIRECTED & PRODUCED
Reel — written, produced, directed, performed ▶ [VIDEO: paste link]
Grow Church services — directed
Show Production Club, Full Sail — president, ran The Treehouse venue and booked crews across Orlando